Mira Hartwell beneath the chandelier of the Scarsdale Country Club ballroom
A Prestige Cinematic Spy Thriller by Maëva Ghonda

SCARSDALE2.0

Fourteen square miles of the most methodically curated landscape in the northeastern United States. Lawns clipped to obedience. Streetlamps that map every face. And one alcove that should not be empty.

Mira Hartwell has been right for fourteen months. In the next forty-eight hours, the most dangerous intelligence asset in the building will discover what she carries inside herself.

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Five rooms. One world that does not sleep.

Original interactive games drawn from the architecture of the novel — surveillance, betrayal, memory, market. Designed to be opened at midnight and closed reluctantly at dawn.

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I.

PROLOGUE

THE TOWN
THAT BREATHES

PP. 1–3

The lawns come first. Not the houses. Not the gates. The lawns announce everything.

Emerald-dark in every season, clipped to a uniformity so absolute it suggests not maintenance but obedience — each blade of grass a subject of a regime so quiet, so persistent, that the casual observer mistakes it entirely for beauty.

The streetlamps along Post Road glow pale copper at dusk, but they are not lamps. Each column contains a distributed sensor mesh capable of mapping every pedestrian within forty meters, cross-referencing facial geometries against seventeen municipal and federal databases in under two seconds.

Children ride their bicycles beneath them and feel nothing but the evening air on their faces.

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A Multitude of Scenes

The world of SCARSDALE 2.0, rendered.

All Scenes
The Ballroom — scene from SCARSDALE 2.0

Ch. I

The Ballroom

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Heathcote Road — scene from SCARSDALE 2.0

Prologue

Heathcote Road

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Langley — scene from SCARSDALE 2.0

Ch. IV

Langley

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Frankfurt 0600 — scene from SCARSDALE 2.0

Ch. VIII

Frankfurt 0600

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The Country Club — scene from SCARSDALE 2.0

Ch. III

The Country Club

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The Northern Ridgeline — scene from SCARSDALE 2.0

Ch. XI

The Northern Ridgeline

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